HorsemenRV

Horsemen

(B.416) 1957 Woodcut proof in black, aside from the edition of 175 accompanying Escher’s only book “The Regular Division of the Plane" (Regelmatige Vlakverdeling) (there was an edition of 175 in black with text verso bound into the book and an edition in red which accompanied the volume)

This woodcut is considered among the finest of Escher’s medium-format woodcuts. Proof prints such as this are of the utmost rarity.

 "Horsemen" was created by Escher in 1957 when he was commissioned by a Dutch bibliophile book society, 'The De Roos Foundation' to write and illustrate a book about his symmetry artwork. The book's title in Dutch was 'Regelmatige Vlakverdelig,' or 'The Regular Division of the Plane.' The book has been reproduced and translated in several of the important books about Escher's work, and this is considered the most important document containing the artist's explanation of his methods and inspirations. 

As I understand it,  The deRoos Foundation published a fine book now and then on a subscription basis for its members only. The edition of the book was only 175 examples, though it is hard to imagine today a fine, handprinted book created in an edition of only 175. But so it was, and each book was numbered from the edition and carefully printed with full-page woodcuts by Escher created directly from his hand-carved woodblocks. This was one of the few times when Escher explained himself at length in words and pictures, so this is a critical document which came at the peak of Escher's creative powers (he was about sixty years old at the time, and had been working with symmetry designs for over twenty years). Escher has written that he was flattered by this commission, that the book was beautifully produced, and that he felt he had been well-compensated for his work.

The book contained six original woodcuts by Escher, printed within the book as black and white woodcuts surrounded by grey borders, with type on the back of each sheet. Additionally, at the back of the book was a separate portfolio of the six woodcuts printed in dark red ink. Since the book was sold by subscription to scholars and book collectors, very few examples of the book have ever appeared on the market, and proof prints such as the one offered at Artists' Market are virtually unknown among Escher collectors.